You sit and listen to DIEGO HDEZ and, rather than invite you to listen to his music; it seems as though he has invited you into his house. Go on, come in, I live here in these songs. They are not decorated with luxury but they are with pleasure. Recorded with The Garage band program that Macs incorporate via the microphone of the computer, his numbers are in no way dressed up. DIEGO HDEZ is pop, of course. Pop with Banjo, or with Spanish or acoustic guitar. But also rummage pop. If Elliott Smith had had his backline changed by Pascal Comelade, perhaps it would sound like this.